Research Group: Situated Art, Design and Technology
The “re:MakingSense” series aimed to foster ongoing engagement and exchange among professionals in the sensory augmentation community. The sessions in this series were designed to stimulate collaborative dialogue across disciplines and encourage new inquiries into the future possibilities of sensory enhancement technologies.
The “re:MakingSense” series was created in 2021 as a platform to bring together researchers, artists, designers, and practitioners working within the field of sensory augmentation. This event fostered interdisciplinary dialogue to explore the philosophical, ethical, creative, scientific, and technological aspects of augmenting human sensory and perceptual abilities. The discussions aimed to broaden understanding and fuel innovation by engaging multiple perspectives on sensory enhancement.
Together with Lesley-Ann Daly, Imre Bard, and Stéphanie Gauttier, Michel Witter curated and organised the re:MakingSense series.
Session #1: Challenges and Opportunities for Sensory Augmentation
The inaugural session of “re:MakingSense” set out to assess the current state of sensory augmentation. It delved into key questions regarding obstacles to widespread adoption of sensory enhancement technologies, advances in understanding human perception, and the social and conceptual challenges shaping this emerging field.
This re:MakingSense session focuses on the process of translation between sensory modalities. It questions how the attributes of one sense are mapped onto another, how this new sensory information is integrated into perception, and how novel information is translated into senses. What technology is needed to do this? What information is sent? What is lost? How does that affect the resulting perception? And how does this, in turn, affect social interaction and performance?
Our brains receive information from our sensory organs, interpreting the incoming electrical signals and conveying them to us as sensory perception. Today, technology makes it possible for individuals to receive information in one sensory mode and have it interpreted in another. For instance, ‘hearing’ light is possible. It is also possible to transmit non-sensory, or non-human sensory information to the brain to interpret as a sensory perception. For example, one can feel the Earth’s magnetic field.
For humans, this means that they either substitute some original (natural) senses with technology-based ones, try to add new senses to those they have, or perceive in an enhanced manner. Perhaps sensory augmentation technologies are even both substituting and augmenting senses at once.
The third and final part of the re:MakingSense series deals with conceptualizing, criticizing, and constructing meaning around sensory augmentation. Such work typically requires time, interdisciplinary knowledge, and various forms of input. Practitioners, students, and professors present their work-in-progress in diverse directions. The input and feedback from the participants and other speakers are used to make their ideas clearer and elicit useful feedback on early-stage work. This session also enables collaborations on ongoing projects with attendees.
Hallidonto – Visual artist, London-based Cyborg Iconoclast
After suffering a brain injury in 2006 that severely impacted his hearing, Hallidonto developed his own interpretation of sense. His work explores sensory input and alternative ways of experiencing the world, particularly in his multilayered opera production Sanctum Cyborgia. His current focus is on determining which immersive technologies best suit the opera’s vision while prioritizing accessibility, technological inclusivity, and economic sustainability. https://www.youtube.com/watch?v=FaOoFRyghZA
Michael Devine – UK Firefighter, Specialist Rescue Operator, Recruit Instructor, and Researcher at Ulster University
Michael Devine started his career as a researcher, earning a Master’s in Medical Science before joining the Northern Ireland Fire and Rescue Service. Over his 17-year career, he has worked in diverse roles, including firefighter, specialist rescue operator, and recruit instructor. He is also a part-time researcher at Ulster University, examining the potential of wearable technology to improve firefighter health, safety, and well-being. His research is self-funded and done in his own free time. https://www.youtube.com/watch?v=Ai7HxcMZdXU
A word of thanks
We thank the Centre of Applied Research for Art, Design, and Technology (CARADT) of Avans University of Applied Sciences to host all contents of our re:MakingSense series of online symposia. We also thank the inspiring and thought-provoking speakers and all people that were present and participated in the discussions. You were awesome!
‘Investigating the potential of sensory augmentation to bridge the sensory gap between deaf and hearing.’
Michel Witter, with a foundation in computer science and digital art, integrates technology and art in education. As a tutor since 2002 at Communication & Multimedia Design program of Avans, he specializes in information design and accessibility. Currently, Michel is researching sensory augmentation for his PhD.
Research Group: Situated Art, Design and Technology
Living in cities developed around data and acting within the inscrutable structure of our techno-society demands art and design that can help understand how we relate to these rapidly changing surroundings and to reflect on that relationship. The research group Situated Art, Design and Technology responds to this exigency by fostering a situated turn in art and design through a diverse portfolio of interdisciplinary research projects in partnership with academic and cultural partners, as well as with government and industry.