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Publications

Herebelow you find the full list of publications produced by Caradt researchers and professors. The list is very diverse, ranging from peer reviewed conference papers to student project websites. Each result is the optimal intended research goal as the outcome of a plan made by the researcher in collaboration with the professor. There is no indexing or ranking.

2022

Roberts, D. & van Dartel, M. (submitted) Inviting self-transcendence into everyday activities: An art installation exploratory case study.

Wieland, B., de Wit, J., & de Rooij, A. (submitted) Collaborative Brainstorming with a Chatbot: A Good Idea Due to Reduced Evaluation Apprehension?

Lugthart, S. & van Dartel, M. (in press) Designing Situated Learning Environments for Media Design Education: A Case Study, in AIGA DEC, & Zahabi, L. (Ed.), SHIFTarrow.

Karpinski, T. (accepted) Ener-geyser, Artistic works ISEA2022 ‘Possibilities’ (to be shown in the screenings section at the CCCB and CERC auditoriums.)

Fotiadi, E. (accepted) On Southerness in contemporary art and theory, Revisiting documenta 14’s magazine South as a State of Mind, Journal of Greek Media & Culture.

Olma, S. (jan. 2022) ‘Nawoord’, Mark Fisher, Kapitalistisch Realismearrow, Vertaling: Menno Grootveld, Amsterdam: Starfish Books, 105–126.

2021

Vrhoci, D. & Weigl, F. (2021) Art & Care, Van Dartel, M.F. (ed.), V2_: Rotterdam.

Gozzo, M., Koelink Wolderdorp, M., & de Rooij, A. (2021) Creative Collaboration with the “Brain” of a Search Engine: Effects on Cognitive Stimulation and Evaluation Apprehension,arrow in ArtsIT, Interactivity and Game Creation, Creative Heritage. New Perspectives from Media Arts and Artificial Intelligence. 10th EAI International Conference, ArtsIT 2021, Virtual Event, December 2-3, 2021, Proceedings (pp.209-223)

Fotiadi, E. (2021) Community Art. Between situatedness and globalization, A Public Art Handbook, Ed. Angeliki Avgitidou, University Studio Press. [in Greek]

Fotiadi, E. (2021) On the adventures of site-specificity: documenta 14 in Athens and Maria Eichhorn’s Art Project Building as Unowned Propertyarrow, Field. A Journal of Socially Engaged Art Criticism, issue 18/19, spring.

Lugthart, S. & van Dartel, M. (2021) Simulating Professional Practice in STEAM Education: A Case Study,arrow European Journal of STEM Education, 6(1), 17.

Yin, A. (2021) On Post-Temporarinessarrow, Making and Breaking, Caradt Online Journal, vol 2.

Tempelaar, B., Houben, H. & Leijdekkers, R. (2021) thelongtailof.art, arrowonline journal.

Tempelaar, B., Houben, H. & Leijdekkers, R. (2021) De kunstwereld als immuunsysteemarrow, Charlotte Feijen, Metropolis M, 8 October.

Tempelaar, B., Houben, H. & Leijdekkers, R. (2021) Schoonmaakactie voor alle lichaamsdelen, Lucette Ter Borg, NRC handelsblad, 15 September.

Tempelaar, B., Houben, H. & Leijdekkers, R. (2021) Nuummi, kinderboek over overleven en het immuunsysteem, eigen uitgave.

Stuart,B.; Bromet, A.; Dekker, A.; Frissen, R.; Hutak, M.; Idrissi, A. (2021) Expeditie Vrije Ruimte & Verkenning Vrije Ruimte, Officieel advies expert-team voor de Gemeente Amsterdamarrow.

de Rooij, A., Wijers, I., & Marinussen, M. (2021) Emergence of Metacognitive Knowledge via Audible Pupil Sizearrow, In Proceedings of the 32nd Annual Conference of the European Association of Cognitive Ergonomics (ECCE2021), article 18. (Best paper award)

Tempelaar, B. (ed.) (2021) The Space Conductors are Among Usarrow, Met bijdragen van: Adlandsvik, S., Blumenschein, S., Demollin, T., Dirrix, T., Hehewerth, D, & Tee Lee, V.,  Kraule-Kuna, I. & Vitola, E., Mangano, D. & Van Rooy, M., Molenda, A., Tempelaar, B., Serapinas, A, Sully, I., The Artist, Vahtra, A., Vaikla, I., Vrancken, R., Amsterdam: editie P/////AKT.

Olma, S. ( jan 2021) The Post-Contemporary: A Speculative Debate, Making and Breakingarrow, Caradt Online Journal, vol 2.

Olma, S.;  Henry, U. & Panda, A. (2021) Making and Breakingarrow, Caradt Online Journal, vol 2.

Rebergen, E.; Eikelboom, W. & Olma, S. (2021) ‘Looking for Trouble: Raising and Tackling Problems Through Design Research’, P. Joore, G. Stompff, J. van den Eijnde (eds.) Images of Design Research, Rotterdam: NADR, 100–110. Nederlands: Looking for Trouble. Problemen oprakelen en aankaarten door ontwerponderzoek. In P. Joure, G. Stompff, J. van den Eijnde (Reds.), Beelden van Applied Design Research. Nederland: Network Applied Design Research.

Olma, S. (2021) The Post-Contemporary: A Speculative Debatearrow Making and Breaking, Caradt Online Journal, vol 2

2020

Karana, E., Rognoli, V., & Jacob-Dazarola, R. (2020) The Role of Design in the Development of New Materials: Interview with Elvin Karanaarrow, Diseña, (17), 46-55.

Barati, B., Karana, E., & Hekkert, P. (2020), Understanding Experiential Qualities of Light-Touch-Matters: Towards a Tool Kitarrow, Journal of Design Thinking, Vol. 1, No. 1, 1-20.

Veelaert, L., Du Bois. E., Moons, I., Karana, E. (2020) Experiential characterization of materials in product design: A literature reviewarrow, Materials and Design, 190: 108543.

Zhou, L., Barati, B., Wu, J., Scherer, D., Karana, E. (2020) Digital biofabrication to realize the potentials of plant roots for product designarrow, Bio-design and Manufacturing, 4, pages 111–122 (2021).

Karana, E., Barati, B., & Giaccardi, E. (2020) Living artefacts: Conceptualizing livingness as a material quality in everyday artefactsarrow,  International Journal of Design, 14(3), 37-53.

Hazekamp, R. (2020) Unlearning Photographyarrow, Mister Motley, Motley College.

Palmer, O. (submitted) Scriptych: A choreographed performance integrating a novel gestural interface for retrieving symbols from a three-dimensional database, (ISEA2020)

Heerkens, N. (2020) An Invitation to DANCE, 26th International Symposium on Electronic Art (ISEA 2020)

Roberts, D. (2020) Magic Tea, towards everyday transcendence,arrow Master Thesis.

Heerkens, N. (2020) THE COLLAB, een videofilm over de workshop en presentatie New Media & Performance.

Witter, M. (2020) Gesitueerde ontwerpmethoden voor het ontwerp van Sensory Substitution toepassingen voor mensen met een zintuiglijke beperking, Promotiebeurs voor leraren, NWO.

Tempelaar, B.; Houben, H. & Leijdekkers, R. (2020) The Practice of…, Rotterdam: A Tale of a Tub.

Stuart, B. & Van der Lippe, K. (2020) Kunst is Lang, Mister Motley.arrow

Stuart, B. & Kraaijeveld, J. (2020) Geen Stad Zonder Kunst, Onderzoeksrapport i.o.v. Platform BK & Kunstenbond.arrow

Stuart, B. (aug 2020), Vrije ruimte in Amsterdam?, Amsterdam Alternativearrow, #32.

Stig, M. (dec 2020) Navigeren doe je met je neus, Martine Stig over het portret van de toekomst, Interview Mondriaanfonds.

Stig, M. (oct 2020) Publication of series Through a Glass Darkly, (4 images) FD-magazine.

Olma, S; Schouten, B; Verveld, B; Straver, D; Osterloh, E; Cramer, F; Kresin, F; Boomgaard, J.; Haggis-Burridge, M.; Shah, N.; Sonderen, P.; Benschop, R.; Blom, S. (2020) Een derde cyclus voor de kunst- en creatieve sector,  Propositie pilot derde cyclus hbo / cluster Kunst+Creatief, Succesvol ingediend bij ministerie OCW.

Olma, S. & Stuart, B. (2020) Kunst en Cultuur in Brabant: Betekenis en Vermogen, Caradt-interne onderzoeksrapportage.

Dijksterhuis, E. (2020) Zelfs de rand van Amsterdam wordt te duur voor kunstenaars, Interviewarrow met o.a. Bart Stuart in Parool, 4 November.

Croes M. & van Dartel, M. (2020) The Interaction Attention Continuum: An Education Application Studyarrow. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems – CHI ’20.

Lugthart, S. & van Dartel, M. (submitted) Designing Situated Learning Environments for Media Design Education: A case study.

Roberts, D. & van Dartel, M. (submitted) Inviting self-transcendence into everyday activities through tangible IoT.

Hoegen, Ph. (2020), ANOTHER VERSION: Thinking Through Performing, published by Onomatopee, Eindhoven, in collaboration with Caradt.

Karana, E. (2020), Still Alive: Livingness as a Material Quality in Design, Breda Avans University of Applied Sciences, ISBN: 978-90-76861-61-6.arrow

Nouwens, M., Heerkens, N. & van Dartel, M. (2020), An Invitation to DANCE: Making Sense of Viewer Interaction in Installation Art.arrow (ISEA2020)

Gloerich, I., de Waal, M., Ferri, G. Cila, N., Karpinski, T. (2020) The City as a Licence. Implications of Blockchain and Distributed Ledgers for Urban Governance (Frontiers2020).

Croes M. & van Dartel, M. (2020) The Interaction Attention Continuum: An Education Application Studyarrow. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems – CHI ’20.

Asselbergs, B. & van Dartel, M. (2020) Situated Design Methods in Urban Planning: An educational research case study. AMPS conference on Experiential Design – Rethinking relations between people, objects and environments).

2019

Stig, M. (2019) Publication of series Profiles (7 images and small text about research at Caradt), De Correspondent.

YAFF (2019), Manifesto: We Are Young Artists, Weimar, Digital Bauhaus Summit.

Recano, L. (2019), Hackerare il realismo capitalista: serendipità, innovazione sociale e politiche di emancipazione – Intervista a Sebastian Olmaarrow, TRU, Università degli Studi di Napoli “L’Orientale”, October 10.

Recano, L. (2019) “Hacking Capitalist Realism: on serendipity, social innovation and emancipatory politics – Interview with Sebastian Olmaarrow”, Institute of Network Cultures, Hogeschool van Amsterdam, June 24.

Stig, M. (dec.2019) Publication of series Profiles (7 images and small text about research at Caradt), De Correspondent.

Olma, S. (2019) “Cultural Production and Emancipatory Social Changearrow”, in: Making and Breaking, Caradt Online Journal, vol 1.

Olma, S. & Reed, P. (2019), Making and Breakingarrow, Caradt Online Journal, vol 1.

Olma, S. (2019) “Ideology and the City: De Zwijger as An-aesthetic Interfacearrow”, Amsterdam Alternative, #24, May-June, p. 5.

Olma, S. (2019) “First Aid in Case of Art: 20 Years of OT301 in Contextarrow”, Amsterdam Alternative, #27, Nov-Dec, p.3.

Hoegen, Ph. (2019), co-editor ‘Fair Arts Almanac’, published by State of the Arts, BE

Van Dartel, M., & de Rooij, A. (2019). The Innovation Potential of Sensory Augmentation for Public Space. In: Park, J., Nam, J. & Park, J.W. Proceedings of the 25th International Symposium on Electronic Art.arrow Gwangju, Korea, Republic of. Pp.79-84.

Nazli, C., Gloerich, I., Ferri, G., de Waal, M. and Karpinski, T. (forthcoming) The 721 Blockchain and the Commons: Dilemmas in the Design of Local Platforms. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems – CHI ’20

Lugthart, S. & van Dartel, M. (2019). Teaching Situated Actions: A case study. In: M. Carmo (ed.) International Conference on Education and New Developments (END 2019)arrow Volume I. InScience Press: Portugal, pp. 202-206.

Karpinski, T., Cila, N., Gloerich, I., Meys, W., de Waal, M. (2019) “Peak Shaving Time”, We Make The City festival, Amsterdam, the Netherlands.

2018

Barati, B., Giaccardi, E., & Karana, E. (2018). The making of performativity in designing [with] smart material composites. In Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems (CHI18) (pp.5:15:11). ACM. 

Van Dartel, M. & de Rooij, A. (2018) Sensory Augmentation for Public Space. In: Nigten A. (2018) Proceedings of Balance Unbalance 2018: New Value Systems – Sustainability and Social Impact as Drivers for Value Creation, 41-42. Van Dartel, M. & de Rooij, A. (submitted) Sensory Augmentation for Public Space

Van Dartel, M.F. and Nigten, A. (2018) The Value of Waste. LEONARDO 51(2). MIT Press: Cambridge, MA.

Van Dartel, M.F. (2018) Art and Design Pedagogies after the Situated Turn. In: Snepvangers, K., and Davis, S. (Eds). Embodied and walking pedagogies engaging the visual domain: Research co-creation and practice. Common Ground Publishing: Champaign IL.

Swart, S. (2018) Nederlands e-cultuurbeleid niet langer toonaangevend: Interview met Marleen Stikker, Michel van Dartel en Anne Nigten, Boekman 116: Kunst & Techniek

Stig, M. (2018), Interviewarrow over onderzoek Vertigo en tentoonstelling Seeing without a Seer door Robert van Altena, voor Springvossen.

Stig, M. (2018) DEEP / FLAT (publicatie bij tentoonstelling, Hans Gremmen, essay Basje Boer) (Caradt genoemd in colofon).

Stig, M, (2018) Seeing without a Seer, publicatie bij tentoonstelling, Hans Gremmen, Caradt genoemd in colofon en artikel)

Stig, M. (2018) Walking in the City, HD 11:32, (film, Caradt genoemd in de aftiteling).

Ruhl, A., de Rooij, A., van Dartel, M. (2018) The Artistic Potential of Tactile Vision Interfaces: A First Look. In Proceedings of the ACM Twelfth International Conference on Tangible, Embedded, and Embodied Interaction TEI’18. ACM, New York, NY, USA, 73-79. DOI: https://doi.org/10.1145/3173225.3173271arrow (Best Work in Progress)

Rebergen, E. (2018) “Provocative community-based humanitarian designarrow”, BunB Programme & proceedings.

Plough, J. (2018) A conversation with Michel van Dartel. In: Lomme, F. & Plough, J. (Eds.)  We Are The Market! Onomatopee: Eindhoven.

Olma, S. (2018), Art & Autonomy: Past – Present – Future, Rotterdam: V2_.

Lugthart, S. & van Dartel, M. (submitted). Teaching Situated Actions: A case study

Lugthart, S. & van Dartel, M. (2018) Teaching Situated Actions: A case study. In: N. Nigten (2018). In: N. Nigten (Ed.) Proceedings of Balance Unbalance 2018: New Value Systems – Sustainability and Social Impact as Drivers for Value Creation (Extended Abstract)

Hoegen, Ph. (2018), Body of Books: The BAS Collection, performatieve tekst over het kunstenaars initiatief BAS in Istanbul, uitgegeven door Collectorspace, Inc, New York/Istanbul.

Hoegen, Ph. (2018), Ventriloquists III, uitgegeven door The Society for Artistic Research in Proceedings 9th SAR Conference: Artistic Research Will Eat Itself.

Heerkens, N. (2018) An Invitation to DANCE, Catalogus CINEDANS

Eikelboom, W. (2018) ‘Ethereal Scent. The Sense of Smell and the Posthuman Experience.’ Posthuman Glossary ed. Rosi Braidotti & Maria Hlavajova: Bloomsbury: 138-140.

Croes M. & van Dartel, M.  (in preparation) The Interaction Attention Continuum: An Education Application Study.

Asselbergs, B. & van Dartel, M. (submitted) Situated Design Methods in Urban Planning: An educational research case study.

Asselbergs, B. & van Dartel, M. (2018) Situated Design Methods in Urban Planning: A case study. In: N. Nigten (Ed.) Proceedings of Balance Unbalance 2018: New Value Systems – Sustainability and Social Impact as Drivers for Value Creation

2017

Van Dartel, M.F. (2017), A conversation, In: Lomme, F. & Plough, J. (Eds.) We Are The Market! Onomatopee: Eindhoven.

Ruhl, A., de Rooij, A., van Dartel, M. (2017), The Artistic Potential of Tactile Vision Interfaces: A First Lookarrow, In Proceedings of the ACM Twelfth International Conference on Tangible, Embedded, and Embodied Interaction TEI’18.

Van Dartel, M.F. and Nigten, A. (2017), The Value of Wastearrow, LEONARDO 51(2). MIT Press: Cambridge, MA.

Van Dartel, M.F. (2017), Art and Design Pedagogies after the Situated Turn, In: Snepvangers, K., and Davis, S. (Eds) (in press). Embodied and walking pedagogies engaging the visual domain: Research co-creation and practice. Common Ground Publishing: Champaign IL.

Witter, M. & Calvi, L. (2017), Enabling Augmented Sense-Making (and Pure Experience) with Wearable Technologyarrow, In Y. Chisik, J. Holopainen, R. Khaled, J.L. Silva & P.A. Silva (Eds.) Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering (LNICST) 215: Intelligent Technologies for Interactive Entertainment, pp. 136-141. Springer: Berlin.

Van Dartel, M.F. (2017), Menselijke waarden bij technologie,  arrowIn: WMNL State of the Art. Vereniging Deltametropool: Rotterdam.

Van Dartel, M.F. (2017), Unravelling Human Situatedness Through Art arrowIn T. van der Zouwen & M. Spindler (Eds.) Flow beyond Systems. Challenging Organisations and Systems (COS), 6(2), pp.1121-1136.

Lugthart, S., van Dartel, M., Quispel, A. (2017),  Plans versus Situated Actions in Immersive Storytelling Practices, arrowIn N. Nunes, I. Oakley, and V. Nisi, (Eds.) Lecture Notes in Computer Science (LNCS) 10690: Interactive Storytelling (pp. 38-45). Springer: Berlin.

de Rooij, A., van Dartel, M., Ruhl, A., Schraffenberger, H., van Melick, B., Bontje, M., Daams, M., and Witter, M. (2017), Sensory Augmentation Interfaces: A Dialogue between the Arts and Sciences, arrowIn A. Brooks, Brooks, E. & Vidakis, N. (Eds.) Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering (LNICST): Interactivity, Game Creation, Design, Learning, and Innovation. Springer: Berlin.

Stig, M. (2017), Radical Reversibility, Publicatie Hans Gremmen, Fw-books.

Stig, M. (2017), Planar, HD 8:54, film.

Rebergen, E. (2017), Geen voorgeprogrammeerde disruptie maar furieus onderwijs voor creatievelingen, arrowNetworkcultures.org (Blog lectoraat Netwerkcultuur HvA), 3 Juli.

Olma, S. and Altena, A. (2017), Serendipity, Sagacity, Politicsarrow, V2_ Blog.

Olma, S. and Reljic, T. (2017), Cities of justice: Reclaiming Valletta from the Market Forces of Gentrification, Malta Today, November 13.

Olma, S. (2017), Raum für Müssiggang und Spinnerei – Für eine Radikale Politik der Innovation,” ChangeX, 4. April.

Olma, S. (2017),  In Defence of Serendipity. The Silicon Emperor is Wearing No Cloths, arrowThe Conversation (Australia), June 13.

Olma, S. (2017), Using Usership: A (Hopefully) Useful Introduction, In Erik Haagort et. al. Usersip, Breda, Avans University of Applied Sciences.

Olma, S. (2017), For the Scene Needs Changing: Notes on Paul Segers’ Comradeship with Time,” Paul Segers The Scene Needs Changing, Eindhoven, Onomatopee.

Olma, S. (2017), In Defence of Serendipity, Audio Book: Audible.

Olma, S. (2017), Art and Autonomy: Past, Present, Future, Rotterdam: V2_.

Hoegen, Ph. (2018), Body of Books: The BAS Collectionarrow, performative text about the artist initiative BAS in Istanbul, published by Collectorspace, Inc, New York/Istanbul.

2016

Van Dartel, M.F. (2016), The Cloud is full of Dadaarrow In: From Dada to Data (Gerritsen M. and Olma, S. (Eds.)) Museum of the Image, Breda

Van Dartel, M.F. and Nigten, A. (2016) The Value of Waste. LEONARDO

Van Dartel, M.F. (2016), Unravelling Human Situatedness Through Art. In: van der Zouwen, T. and Spindler, M. (Eds.) Flow beyond Systems. Challenging Organisations and Systems (COS). Volume 6 (2)

Van Dartel, M. (Eds.). and Coupland, D. (2016), Machines will make better choices than arrowHumansarrow, V2_Publishing: Rotterdam, NL.

Van Dartel, M.F. and Altena, A. (2016), Data in the 21st Century. In: Futurosity (Meessen, Y. and Slater, M. (Eds.), Rotterdam: Kunstblock.

Van Dartel, M.F. (2016), Art and Design Pedagogies after the Situated Turn. In: Snepvangers, K., and Davis, S. (Eds.). Embodied and walking pedagogies engaging the visual domain: Research co-creation and practice. Common Ground Publishing: Champaign IL.

Van Dartel, M.F. (2016), Aesthetics in the Wild: Art and Design Practices and Pedagogies after the Situated Turnarrow, Breda, Avans University of Applied Sciences.

Gerritsen, M. (red.) en Olma S. (red.) (2016) Beeldcultuurkrant van Dada naar Data, Breda, MOTI Museum Of The Image.

Gerritsen, M. (Eds.) and Olma S. (Eds.) (2016), From Data to Dada,arrow Breda, MOTI Museum Of The Image.

Olma, S. (2016),  University as Übungsraum. In: Higher Education and the Creative Economy: Beyond the Campus,
London, Routledge.

Olma, S. (2016), Autonomy and Weltbezug. Towards an Aesthetic of Performative Defiancearrow,
Breda, Avans university of Applied Sciences.

2012

Bool F. (2012), De Dam als plaats van herinnering / De Dam als fotografische databankarrow, website, AKV|St.Joost, Breda

Van Winkel, C., Gielen P, and Zwaan K. (2012), De hybridisering van de kunstenaarspraktijkarrow, onderzoeksverslag, ’s-Hertogenbosch, AKV|St.Joost ism Fontys Hogeschool, Tilburg

2010

Rosler M. (2010), Culture class: Art, Creativity, Urbanismarrow, publicatie van de derde Hermeslezing, ’s-Hertogenbosch, AKV|St.Joost, ism Hermes Business network (Dutch AND English)

2009

Van der Waarde, K. (2009), On Graphic Design: listening to the readerarrow, Over grafisch ontwerpen: luisteren naar de lezer? – lectorale rede grafisch ontwerpen, Breda, Avans Hogeschool (English version)

2008

Gillick, L. (2008), Maybe it would be better if we worked in groups of three?arrow, publication of the second Hermes lecture, ’s-Hertogenbosch, AKV|St.Joost in co-operation with Hermes Business network (English version)

Bool F. (2008), Duitsland sinds 1945 door het oog van Nederlandse fotografenarrow, lectorale rede fotografie, (wegens copyright zonder beeld), Avans Hogeschool, Breda

Gillick, L. (2008), Maybe it would be better if we worked in groups of three?arrow, publicatie van de tweede Hermeslezing, ’s-Hertogenbosch, AKV|St.Joost ism Hermes Business network (Dutch version)

2006

Wall J., (2006), Depiction, Object, Eventarrow, publication of the first Hermes lecture, ’s-Hertogenbosch, AKV|St.Joost in co-operation with Hermes Business network (English version)

Wall J., (2006), Depiction, Object, Eventarrow, publicatie van de eerste Hermeslezing, ’s-Hertogenbosch, AKV|St.Joost ism Hermes Business network (Dutch version)

van den Broek, S., de Rooij, A., & van Dartel, M. (accepted), Living with Living Artefacts: Six Concepts for Designing User Acceptance of Living Artefacts, In Proceedings of the 2022 Conference of the Design Research Society (DRS 2022).

Bogdescu, O., Biskjaer, M., & de Rooij, A. (accepted), Implementation Intention as a Debiasing Intervention for a Bias Blind Spot among UX Practitioners,arrow In Proceedings of the 2022 Conference of the Design Research Society (DRS 2022).

‘People are the product of their relationships with their environment. It’s important to understand how technological developments influence these relationships.’

Michel van Dartel arrow

‘Our research group investigates the role artists, designers and cultural producers in general can play in developing the aesthetics and poetics of a desirable future.’

Sebastian Olma arrow

‘The dynamic relationship between humans and living artefacts will continue to evolve reciprocally with mutual care.’

Elvin Karana arrow

‘Almost everything I design is based on giving form to the invisible.’

Tara Karpinski arrow

‘As a result of my current research, I ask the students the questions “what is your work” and “what works for you.’

Rob Leijdekkers arrow

‘It is through the “not-knowing” that a stimulating and caring environment can be created to confidently share vulnerability.’

Risk Hazekamp arrow

‘‘Understanding how creativity and imagination emerge from interactions with our environment will lead to improved innovation processes, tools and technologies.’’

Alwin de Rooij arrow

‘Performance is about engaging with versions of the self, stretching the gaze to see what others see when they look at you.’

Philippine Hoegen arrow

‘Through an interplay of design and research, the apt questions and necessary tools can be discovered and applied to each research project.’

Antal Ruhl arrow

‘Bacteria, Fungi, Humans, all part of the same experiment.’

Ward Groutars arrow

‘The essence of the situated, cinematic experience of dance lies in the mental interaction where the public becomes co-author.’

Noud Heerkens arrow

‘To be able to research something thoroughly, you have to deeply engage, not just look at it from the outside.’

Bart Stuart arrow

‘I am dust! People were created from the same particles as all other elements. Everything was created from dust and will return to dust. ’

Annemarie Piscaer arrow

‘Could experimental sensory translation of art works improve their accessibility for sensory diverse exhibition audiences?’

Eva Fotiadi arrow

‘I’m interested in how we can implement situated learning within design education.’

Sarah Lugthart arrow

‘Doing research connects my practice with teaching; it strengthens and brings them closer together.’

Martine Stig arrow

‘How can the notion of the ‘script’ be used in a situated design practice? ’

Ollie Palmer arrow

‘The ultimate goal is to enable people to improve their lives, making them more enjoyable and comfortable.’

Simone van den Broek arrow

‘Attention during interaction is personal, not a given fact.’

Misha Croes arrow

‘My background in visual art makes me very involved in the content of the expertise centre.’

Wilma Diepens arrow

‘Investigating the potential of sensory augmentation to bridge the sensory gap between deaf and hearing.’

Michel Witter arrow

‘I believe a collaborative and efficient lab can address both educational and research demands.’

Serena Buscone arrow

‘Getting comfortable with ambiguity enables designers to absorb feedback and use it to make better design choices.’

Gabri Heinrichs arrow

‘Caradt’s practice-led research aims to empower artists and designers to make a meaningful contribution to society through their projects.’

Rens Holslag arrow

‘Exploring and integrating novel perspectives to our everyday through the eyes of fungi.’

Wasabii Ng arrow

‘I look at the ways in which citizens can play an active role in shaping their cities, and how new media and technology can contribute to this.’

Barbara Asselbergs arrow

‘I am eager to explore how unique qualities of ‘living materials’ can transform the way we think, feel and act.’

Hazal Ertürkan arrow

‘In my point of view, the arts, teaching, research, creation, are all connected. It is all a matter of communication.’

Joana Borges arrow

‘Nowadays a brand is no longer an instrument of marketing, but it is a symbol for inspiring, meaningfull organisations.’

Susan Klijsen – van Elteren arrow

‘For me, the iterative design-research process is an exciting journey towards designs that can transform human consciousness.’

Danielle Roberts arrow

‘Disrupting our contemporary society can be a serious design goal.’

Eke Rebergen arrow

‘My particular interest lies in sharing interesting and thought-provoking stories. Communication is a big part of that.’

Kimberley Rochat arrow

‘Nature is a perfect example of an iterative design process. It is inspiring and full of exciting solutions.’

Clarice Risseeuw arrow

All people arrow
All projects arrow

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