Caradt

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Projects

New Media & Performance Workshop

Coloured by Flavo

Situated Design Methods

Urbanizing the Digital

Unlearning Photography

Situated Learning & Immersive Storytelling in the Lab

Social Design Practices

Practice-Based Learning for Design Students

Gaining Wisdom through Smart Technologies

Material Ecologies

Art and Culture in Brabant: Meaning and Possibility

Scripted Performances

Cultural and Creative Industries / YAFF

Design Thinking for the Circular Economy

Living Material Experiences: Facilitating Experiential Understanding of Living Materials in Material Driven Design

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‘People are the product of their relationships with their environment. It’s important to understand how technological developments influence these relationships.’

Michel van Dartel arrow

‘Our research group investigates the role artists, designers and cultural producers in general can play in developing the aesthetics and poetics of a desirable future.’

Sebastian Olma arrow

‘The dynamic relationship between humans and living artefacts will continue to evolve reciprocally with mutual care.’

Elvin Karana arrow

‘Almost everything I design is based on giving form to the invisible.’

Tara Karpinski arrow

‘Well beyond their common characterisation as problem-solvers, designers have a role to play in materialising public engagement with collective concern’

Laurens Kolks arrow

‘As a result of my current research, I ask the students the questions “what is your work” and “what works for you.’

Rob Leijdekkers arrow

‘It is through the “not-knowing” that a stimulating and caring environment can be created to confidently share vulnerability.’

Risk Hazekamp arrow

‘Through an interplay of design and research, the apt questions and necessary tools can be discovered and applied to each research project.’

Antal Ruhl arrow

‘Performance is about engaging with versions of the self, stretching the gaze to see what others see when they look at you.’

Philippine Hoegen arrow

‘Bacteria, Fungi, Humans, all part of the same experiment.’

Ward Groutars arrow

‘The essence of the situated, cinematic experience of dance lies in the mental interaction where the public becomes co-author.’

Noud Heerkens arrow

‘To be able to research something thoroughly, you have to deeply engage, not just look at it from the outside.’

Bart Stuart arrow

‘The pleasure of working in the [MI] lab is that microbiological research is carried out from two different approaches.’

John van der Werf arrow

‘I’m interested in how we can implement situated learning within design education.’

Sarah Lugthart arrow

‘I’m interested in harnessing the ingenuity of biological organisms to solve today and tomorrow's problems. ’

Rachel Pringle arrow

‘Doing research connects my practice with teaching; it strengthens and brings them closer together.’

Martine Stig arrow

‘How can the notion of the ‘script’ be used in a situated design practice? ’

Ollie Palmer arrow

‘The ultimate goal is to enable people to improve their lives, making them more enjoyable and comfortable.’

Simone van den Broek arrow

‘Attention during interaction is personal, not a given fact.’

Misha Croes arrow

‘My background in visual art makes me very involved in the content of the expertise centre.’

Wilma Diepens arrow

‘The most difficult and empowering thing as an artist is to stay honest about my work and me. And I'd like to help my students to get there too.’

Aiwen Yin arrow

‘I’m looking for methods that take people as a starting point.’

Michel Witter arrow

‘Getting comfortable with ambiguity enables designers to absorb feedback and use it to make better design choices.’

Gabri Heinrichs arrow

‘Caradt’s practice-led research aims to empower artists and designers to make a meaningful contribution to society through their projects.’

Rens Holslag arrow

‘Exploring and integrating novel perspectives to our everyday through the eyes of fungi.’

Wasabii Ng arrow

‘I look at the ways in which citizens can play an active role in shaping their cities, and how new media and technology can contribute to this.’

Barbara Asselbergs arrow

‘I am eager to explore how unique qualities of ‘living materials’ can transform the way we think, feel and act.’

Hazal Ertürkan arrow

‘‘Clear communication enforces the impact and value of Caradt’s research.’’

Kris Vleugels arrow

‘For me, the iterative design-research process is an exciting journey towards designs that can transform human consciousness.’

Danielle Roberts arrow

‘Disrupting our contemporary society can be a serious design goal.’

Eke Rebergen arrow

‘Nature is a perfect example of an iterative design process. It is inspiring and full of exciting solutions.’

Clarice Risseeuw arrow

‘Power, control and chance play an important role in every creative process. I explore this complicated correlation.’

Michiel van Opstal arrow

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