This research focuses on the role of the artist in public spaces, with placemaking as a starting point. The concept of placemaking serves as a framework for exploring both the possibilities and limitations. Placemaking presents various dilemmas. On the one hand, it is seen as a tool to democratise public spaces, but this prompts the question: who decides how these spaces are shaped? Artistic practices are sometimes instrumentally employed to foster such communities, but the ethical implications must be critically examined. How can artists contribute to public spaces without merely serving commercial or gentrification interests? Part of the research on placemaking focuses on the Modellprojekt Haus der Statistik in Berlin
(in collaboration with Professor Sebastian Olma), where radical proposals for urban development are being made, with a central role for civil society. The role of the artist in these processes is a key question.
Additionally, the research examines and specifically focus on the role of art in public spaces. Artworks in public spaces often engages with complex themes such as world peace, climate change, and inclusivity. My research investigates how the ideologies behind artworks are translated into tangible impact. I aim to find a constructive way to navigate the dilemmas surrounding public art, including the roles of commissioning, disengagement, and participation.
A strong connection with my own artistic practice is central to this research. It is essential to not only approach this research not only theoretically but also to integrate this visually and artistically. The results, dilemmas and questions of the research are tested in practice. One example is this is a residency at the EKWC (European Ceramic Work Centre) in Oisterwijk.
This research enriches and informs my educational practice, as various methodologies are explored and developed alongside students. Through this research, I aim for students to gain a deeper understanding of the dilemmas inherent in artistic practice within complex environments, such as public spaces.
Ongoing research (starting date September 2024)
‘Within my practice I create spaces for introspection while exploring ethical dilemmas. ’
In 2017, I graduated from St. Joost in Den Bosch, and I hold a Master’s in Applied Ethics from Utrecht University. Presently, I work as an artist, am an active member of the YAFF art collective, and concurrently serve as a lecturer.
The research group Cultural and Creative Industries investigates the role of artists and designers as creative innovators and drivers of social and economic change. Affiliated researchers analyse the cultural and creative industries from a critical point of view and examine the conditions under which timely forms of aesthetic expression and social connectedness can actually take place within the precarious reality of this field. What economic models are required by artists and designers to create a meaningful practice within the aesthetic, social, and economic intentions of the cultural and creative industries? What skills sets are required for those artists and designers who don’t just want to follow movements, but actually shape novel social and economic models of the future?
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