Caradt

Filter

  • Cultural and Creative Industries
  • Situated Art and Design
  • Regenerative Art and Design
  • Biobased Art and Design
  • All
Staff Alumni
Research Projects Archive

Search

Our Creative Reset

Research Group: Cultural and Creative Industries

Our Creative Reset is a research project led by Sepp Eckenhaussen that tackles the pressing issue of economic insecurity faced by freelance art workers. It aims to explore and analyze innovative models and approaches for achieving economic sustainability in the arts, with a focus on political and organizational innovations. These efforts seek to alleviate the precarious conditions many artists experience by proposing strategies that can offer more stability while safeguarding artistic freedom.

Our Creative Reset explicitly confronts a set of uncomfortable but unavoidable questions. How can artists make a living without selling their souls? What is the role of art in a world wrought by innumerable crises? Can we work towards a just and sustainable art economy? How would this change the circulation of art, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions? The concrete focus of the research is a curious but critical examination of six models: fair practice, artist cooperatives, unions, universal basic income, infrastructural critique, and philanthropy.

The project consists of a wide range of research activities, including contributions to conferences, lectures, book reviews, and the podcast Art in Permacrisisarrow, for which Sepp interviews people who combine radical thinking about the arts economy with practices of art workers’ organizing. Our Creative Reset is also closely aligned to the Creative Europe-project Shared Visions, which explores cooperativism as a pathway to economically sustainable art production on a European scale. The findings of Our Creative Reset, will also feed into a multi-annual research project on cooperative infrastructure in the Dutch cultural sector. The results of Our Creative Reset will be shared with the broader public in the forthcoming book Art Beyond Precarity, to be published with HumDrumPress (Rotterdam & Berlin) in 2025.

The impact of this research is twofold. Firstly, it aims to contribute to the growing discourse around economic sustainability in the arts by providing fresh insights and solutions. Secondly, it seeks to influence policy and organizational practices, advocating for fairer remuneration and support systems that reduce the financial instability many artists face. Through the development of new models and strategies, this research will play a crucial role in offering artists practical pathways toward achieving greater economic stability, while also contributing to broader structural changes within and beyond the arts.

Our Creative Reset is a collaboration between CARADT and the Institute of Network Culturesarrow.

Ongoing research project (starting date January 2024)

‘‘How will our graduates make a living without selling their soul?’’

Sepp Eckenhaussen, arts researcher and organizer, explores sustainable economic models for the arts at CARADT. He addresses the art sector’s precarity through activism, policy, and digital culture

Sepp Eckenhaussen arrow

Publications

Eckenhaussen, S. (2025) UBI: We Want Everything. Arts of the Working Class, 37, 42. https://arts-of-the-working-class.myshopify.com/products/issue-37-transfigurationarrow

Eckenhaussen, S. (2025) Identity: Art Worker. Arts of the Working Class, 36, 43. https://arts-of-the-working-class.myshopify.com/products/issue-36-experiencearrow

Eckenhaussen, S. (2025, Sep) Are Art Institutions Political Organisations? From Institutional Nihilism to Infrastructural Critique. Institute of Network Cultures, https://networkcultures.org/ourcreativereset/2025/09/24/are-art-institutions-political-organisations-from-institutional-nihilism-to-infrastructural-critiquearrow

Eckenhaussen, S. (2025, Sep) ‘Are Art Institutions Political Organisations? Two Cases of Free Palestine Action at Dutch Museums‘, conference paper at Reframing the Present: Contemporary Art, Cultural Heritage, and Social Justice, 22-23 September 2025, Cesano Maderno. https://www.instagram.com/icone_centro_europeo_ricerca/p/DOtVAYsiIvi/?hl=ararrow

Eckenhaussen, S. & Bartijn, K. (2025, May) ‘Transvaluation Tactics‘, lecture at Vrije Ruimte Festival: Cuts & Currencies by Amsterdam Alternative and De Appel, 16-17 mei 2025. https://www.deappel.nl/en/archive/events/1296-vrije-ruimte-festival-cuts-amp-currenciesarrow

Eckenhaussen, S.R. & Bartijn, K. (2025, April) Fair Practice Reconsidered: Critical Inside Perspectives on Grassroots Policy Development in the Dutch Cultural Labor Market between 2012 and 2024 [Conference paper]. 43rd International Labour Process Conference: Labour Process and the Environmental Crisis in a Multipolar World, Santiago de Chile. https://www.ilpc.org.uk/arrow

Eckenhaussen, S. (2025, March) Art in Permacrisis: Intro. Arts of the Working Classarrow, 35: Reset, 27.

Eckenhaussen, S., Cubria, C. (2025, February) Art in Permacrisis #8: Vermeir & Heiremans between Speculative Fiction and Operational Realismarrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S. (2025, Jan). Access Granted? Breaking Into and Breaking Down the Art Worldarrow. Panelist at the event organized by Spui25 in collaboration with Young Collectors Circle.Spui25, Amsterdam & online, 29 January 2025.

Eckenhaussen, S., Cubria, C. (2025, Jan). Art in Permacrisis #7: Kate Rich and Radical Administrationarrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S. (2025, January). Is There an Art of the Working Class?arrow Online article for Our Creative Reset, Institute of Network Cultures

Eckenhaussen, S. (2025, January). The Slovak Culture Strike: An Interview with the Open Culture! Teamarrow, Our Creative Reset, Institute of Network Cultures

Eckenhaussen, S., Cubria, C. (2024, Dec). Art in Permacrisis #6: Inte Gloerich and Decentralised Autonomous Organisationsarrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S., Cubria, C. (2024, Nov). Art in Permacrisis #5: The Budapest Conference Special (w/ Constant Dullaart)arrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S. (2024, Oct). Art in Permacrisis: Organizing Art Workers in the World beyond Artarrow. Lecture at MetaForumX – PermaCrises congres, 25-26 oktober 2024, Budapest

Eckenhaussen, S. (2024, September). ‘The Mistake of Post-Institutional Artarrow. Online essay for Our Creative Reset, Institute of Network Cultures.

Eckenhaussen, S., Cubria, C. (2024, July). Art in Permacrisis #4: Yazan Khalili and the Crisis Economy.arrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S. (2024, July). Book review of ‘After Institutions’ by Karen Archeyarrow. Institute of Network Cultures.

Eckenhaussen, S., Cubria, C. (2024, July). Art in Permacrisis #3: Katja Praznik and Art Work.arrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S., Cubria, C. (2024, June). Art in Permacrisis #2: Emanuele Braga and Universal Basic Income.arrow Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S. (2024, June). The Swamps of Postartarrow. Online report of the 2024 Konteksty Postartistic Congress @ Floating, Berlin. Institute of Network Cultures.

Eckenhaussen, S., Cubria, C. (2024, May). Art in Permacrisis #1: Kuba Szreder and the Projectariatarrow. Podcast ‘Art in Permacrisis’, in collaboration with Institute of Network Cultures.

Eckenhaussen, S. (2024, Apr). Six theses towards the liberation of arts philanthropyarrow. Online article published on Institute of Network Cultures.

Eckenhaussen, S. (2024, March). ‘Precariat * Entreprecariat * Projectariat * Cybertariat * Cognitariat * Affectariatarrow‘. Lecture on the organization of artists in permacrisis. Seminar on international artist cooperatives, Pirot, Serbia, 15–18 March 2024. Organized by ULUS (Serbian Association of Visual Artists).

Research Group: Cultural and Creative Industries

The research group Cultural and Creative Industries investigates the role of artists and designers as creative innovators and drivers of social and economic change. Affiliated researchers analyse the cultural and creative industries from a critical point of view and examine the conditions under which timely forms of aesthetic expression and social connectedness can actually take place within the precarious reality of this field. What economic models are required by artists and designers to create a meaningful practice within the aesthetic, social, and economic intentions of the cultural and creative industries? What skills sets are required for those artists and designers who don’t just want to follow movements, but actually shape novel social and economic models of the future?

Read more arrow
All news & events arrow

Thank you for your subscription! Please check your email inbox to confirm.

Okay