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Curating Inclusive Art Exhibitions (2021 – 2022)

Research Group: Situated Art, Design and Technology

Curating inclusive art exhibitions by translating art between the senses for audiences with/out sensory disabilities.

This research explores how sensory translation technologies can enhance accessibility in art exhibitions without reinforcing divisions between “normal” and “special” audiences. Emerging Sensory Augmentation technologies—capable of translating information from one sensory modality into another—offer inclusive alternatives that engage all visitors, regardless of sensory ability.

Between 2019-2022 Eva Fotiadi was a co-founder and member of the Amsterdam-based art initiative OtherAbilities, together with artist Adi Hollander. In 2019, they co-curated the exhibition and symposium for the OtherAbilities Festival in Amsterdam. The show featured interdisciplinary collaborations among artists, designers, musicians, and scientists exploring human diverse sensory abilities in innovative ways. In 2020-2021 they organized the international artistic research project What Do I Hear?, a partnership between The OtherAbilities (Netherlands) and VibraFusionLab (Canada). The project brought together artists, engineers, and designers to develop prototypes for haptic elements of interior architecture that would translate sound into vibro-tactile experiences, integrated directly in spaces where works of art, film, sound or music are presented.

Curating Art Inclusive Exhibitions

Project Details

Completed research project, 2021-2022

‘Could experimental sensory translation of art works improve their accessibility for sensory diverse exhibition audiences?’

Eva Fotiadi is a researcher within the Situated Art, Design and Technology research group and a theory tutor at the St Joost School of Art and Design, where she is also a member of the Diversity Dialogues platform

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Research Group: Situated Art, Design and Technology

Living in cities developed around data and acting within the inscrutable structure of our techno-society demands art and design that can help understand how we relate to these rapidly changing surroundings and to reflect on that relationship. The research group Situated Art, Design and Technology responds to this exigency by fostering a situated turn in art and design through a diverse portfolio of interdisciplinary research projects in partnership with academic and cultural partners, as well as with government and industry.

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