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Delfina Fantini van Ditmar

Research Group: Biobased Art and Design

‘How can art and design cultivate critical expressions rooted in ethics of care and relationality to influence ecological, social, and economic structures?’

Delfina Fantini van Ditmar, PhD, focuses on ecological design and reflective practices as Professor of Biodesign and More-than-Human Perspectives. With a background in biology and design research, she explores paradigm shifts and material ethics, advancing regenerative and more-than-human perspectives

Dr. Delfina Fantini van Ditmar has a BA in Biology and holds a PhD from the Royal College of Art with a thesis entitled ‘The IdIoT‘. Previously she worked as a design researcher and Lecturer at the MA Fashion, MSc/MFA Innovation Design Engineering programme and the Design Products + Futures programme at the Royal College of Art.

 

Driven by her interest in ecological thinking, reflective practices and inter-relations as a systemic response to the environmental collapse, Delfina’s critical practice examines material ethics of care and the necessary paradigm shift in design. In her teaching practice, Delfina encourages students to reflect on epistemological paradigms, envision alternative futures, think systemically and critically analyse the broader implications of their decisions.

 

In 2021 she was selected as one of the Future Observatory Design Researcher in Residency (DriR) at the Design Museum in partnership with the Arts and Humanities Research Council (AHRC). Additionally, Delfina is a co-investigator on B-Regen, an Economic and Social Research Council, formerly the Social Science Research Council (ESRC) funded project that examines the role of art and design in shaping regenerative entrepreneurship.

 

Delfina has been a crit and Visiting Lecturer in several institutions, including The Bartlett, Architectural Association, Goldsmiths, University of London, University of the Arts London (Central Saint Martins), Cambridge University, Manchester School of Art, University of Brighton, University for the Creative Arts (CCA), Loughborough University, Liverpool University, London School of Architecture, University of Leeds, Zurich University of the Arts (ZHdK), Hochschule Luzern (HSLU), Critical Media Lab Basel, École Nationale Supérieure des Arts Décoratifs (ENSAD), Politecnico di Milano, Syracuse University, Rice University, TU Berlin and the Indian Institute of Technology Delhi (IITD) and Tecnologico de Monterrey among others.

Publications

Fantini van Ditmar, D. (2024, Oct) How can we teach Regeneration? A regenerative pedagogy peer-to-peer session. Regeneration | From the Sourcearrow, NOOF roundtable discussion. Dutch Design Week, Eindhoven

Fantini van Ditmar, D. (2024, Oct) Value of design in shaping regenerative futures. Proceedings of RSD13 Symposium

Fantini van Ditmar, D. (2024, Oct) Cultivating a Regenerative Imagination at Art and Design Universities. Regenerative Imagination Panelarrow at RSD13 Symposium.

Fantini van Ditmar, D. (2024, Oct) iF Foundation Symposium.arrow ‘Regenerative design education’ workshop. iF Design Foundation, Hannover

Fantini van Ditmar, D. (2024, Sep) Silence. Beta Architecture Biennale “Cover Me Softly”, Timișoara Beta Biennial

Fantini van Ditmar, D. (2024, Sep) M by Madonna. Beta Architecture Biennale “Cover Me Softly”, Timișoara Beta Biennial

Research Group: Biobased Art and Design

The research group Biobased Art and Design capitalises on the role of artistic practice in unlocking the unique potentials of living organisms for everyday materials and communicating these to a broader public. In doing so, the group aims to instigate and accelerate our widespread understanding, further development and usage of such materials. The group’s research approach encourages tangible interactions with the living organisms, such as algae, fungi, plants and bacteria, to explore and understand their unique qualities and constraints through diverse technical and creative methods taking artists, designers and scientists as equal and active partners in the material creation.

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‘It is through the “not-knowing” that a stimulating and caring environment can be created to confidently share vulnerability.’

Risk Hazekamp arrow

‘Exploring and integrating novel perspectives to our everyday through the eyes of fungi.’

Wasabii Ng arrow

‘The dynamic relationship between humans and living artefacts will continue to evolve reciprocally with mutual care.’

Elvin Karana arrow

‘Bacteria, Fungi, Humans, all part of the same experiment.’

Ward Groutars arrow

‘The pleasure of working in the [MI] lab is that microbiological research is carried out from two different approaches.’

John van der Werf arrow

‘I believe a collaborative and efficient lab can address both educational and research demands.’

Serena Buscone arrow

‘I am eager to explore how unique qualities of ‘living materials’ can transform the way we think, feel and act.’

Hazal Ertürkan arrow

‘Nature is a perfect example of an iterative design process. It is inspiring and full of exciting solutions.’

Clarice Risseeuw arrow

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