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Delfina Fantini van Ditmar

Research Group: Biobased Art and Design

‘How can art and design cultivate critical expressions rooted in ethics of care and relationality to influence ecological, social, and economic structures?’

Delfina Fantini van Ditmar, PhD, focuses on ecological design and reflective practices as Professor of Biodesign and More-than-Human Perspectives. With a background in biology and design research, she explores paradigm shifts and material ethics, advancing regenerative and more-than-human perspectives

Dr. Delfina Fantini van Ditmar has a BA in Biology and holds a PhD from the Royal College of Art with a thesis entitled ‘The IdIoT‘. Previously she worked as a design researcher and Lecturer at the MA Fashion, MSc/MFA Innovation Design Engineering programme and the Design Products + Futures programme at the Royal College of Art.

 

Driven by her interest in ecological thinking, reflective practices and inter-relations as a systemic response to the environmental collapse, Delfina’s critical practice examines material ethics of care and the necessary paradigm shift in design. In her teaching practice, Delfina encourages students to reflect on epistemological paradigms, envision alternative futures, think systemically and critically analyse the broader implications of their decisions.

 

In 2021 she was selected as one of the Future Observatory Design Researcher in Residency (DriR) at the Design Museum in partnership with the Arts and Humanities Research Council (AHRC). Additionally, Delfina is a co-investigator on B-Regen, an Economic and Social Research Council, formerly the Social Science Research Council (ESRC) funded project that examines the role of art and design in shaping regenerative entrepreneurship.

 

Delfina has been a crit and Visiting Lecturer in several institutions, including The Bartlett, Architectural Association, Goldsmiths, University of London, University of the Arts London (Central Saint Martins), Cambridge University, Manchester School of Art, University of Brighton, University for the Creative Arts (CCA), Loughborough University, Liverpool University, London School of Architecture, University of Leeds, Zurich University of the Arts (ZHdK), Hochschule Luzern (HSLU), Critical Media Lab Basel, École Nationale Supérieure des Arts Décoratifs (ENSAD), Politecnico di Milano, Syracuse University, Rice University, TU Berlin and the Indian Institute of Technology Delhi (IITD) and Tecnologico de Monterrey among others.

Publications

Fantini van Ditmar D., Galdon, F., & Hall, A. (2024) Design Future(s); a new educational framework for design education in the 21st Centuryarrow. The Future of Design Education. Proceedings of InFuSED23. Springer.

Fantini van Ditmar, D., Broach, Z and Bartlett, S. (2023) Entanglements of Wastelands of Fashion. Proceeding of Relating Systems Thinking and Designarrow. Research Design Association 12.

Fantini van Ditmar, D. (2023) A Not Too Comfortable Future. Design for the Unthinkable-World: Strange Ecology and Unwelcome Change. Edited by Rodgers, P., Bremner, C., &; Innella, G. Routledge.

Fantini van Ditmar, D., Galdon, F., &Hall, A. (2022) Deep Products; a multi-dimensional taxonomy of subtraction-by-design approachesarrow — Design in the Frame of Circular Economy: Creation, Valorisation and Reception. ARXIU journal: 2022 Valencia World Design Capital.

Fantini D. (2023) Juan Downey: Invisible Architecturearrow. 100 x 100 Diseño en Chile. Pozo Marcic Ensamble.

Fantini van Ditmar D, Lehtinen,S, Ozkaramanli, D, Nagenborg M, Ferrarelo L and Schwobel-Pateld C (2022) Conversation: Design + Ethics: How is it more than the sum of its parts?arrow Conversations – DRS 2022 Bilbao

Fantini van Ditmar, D and Lehtinen, S (2022) 5G Dossier. Mediapolisarrow. Dossiers, no. 3, vol. 7.

Fantini van Ditmar, D. (2022) A Not Too Comfortable Future. RESTORE cataloguearrow. Design Museum.

Fantini van Ditmar, D. (2021) Int ‘smart’:: cities (void) {If (equality ) { // ?. Equality in the City: Imaginaries of the Smart Future.arrow Mediated Cities Series with Intellect, UK. Series editor Graham Cairns.

Fantini van Ditmar, D. (2020) #103 A SMART Theory of Design[ing] and #104 A 1.5°C Theory of Design[ing]. 118 Theories of Design(ing).arrow Ed. Paul Rodgers; Craig Bremner. Vernon Press.

Fantini van Ditmar, D. (2020) The IdIoT in the SMART Home.arrow Architecture and the Smart City. Critiques Series. New York: Routledge.

Fantini van Ditmar, D. (2019) “A Better Place: Towards a Collective Intelligence for Europe”. A project funded by the European Commission.

Fantini van Ditmar, D. (2019) A Circular ‘Smart’ Worldarrow. Design Cybernetics: Navigating the New. Springer.

Fantini D. (2019) Juan Downey: Invisible Architecturearrow. 100 x 100 Diseño en Chile. BTG Pactual.

Fantini van Ditmar, D. (2017) Deconstructing the ‘Smart’ Homearrow. Cybernetics: state of the art. TU Berlin University Press.

Fantini van Ditmar, D. (2017) The Algorithmic Desertarrow. Ghost Pavillion publication. La Biennale di Venezia, 57th International Art Exhibition. Reflektor M. München, DE

Fantini van Ditmar, D. (2017) Design Research: The IdIoT’s Role in the ‘SMART’ Homearrow. Revista Diseña 11, pp.122 – 133.

Fantini van Ditmar, D & Lockton, D. (2015) Taking the code for a walkarrow. Interactions, 23 (1), pp. 68-71.

van Ditmar D. F. & Glanville R. (eds.) (2013) Listening: Proceedings of ASC conference 2011. Special double issue of Cybernetics & Human Knowing 20 (1–2).

Research Group: Biobased Art and Design

The research group Biobased Art and Design capitalises on the role of artistic practice in unlocking the unique potentials of living organisms for everyday materials and communicating these to a broader public. In doing so, the group aims to instigate and accelerate our widespread understanding, further development and usage of such materials. The group’s research approach encourages tangible interactions with the living organisms, such as algae, fungi, plants and bacteria, to explore and understand their unique qualities and constraints through diverse technical and creative methods taking artists, designers and scientists as equal and active partners in the material creation.

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