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Risk Hazekamp

Research Group: Biobased Art and Design

‘It is through the “not-knowing” that a stimulating and caring environment can be created to confidently share vulnerability.’

Risk Hazekamp is researcher within the Biobased Art and Design research group and tutor for the Art & Research study programme at St. Joost School of Art & Design. 

Risk Hazekamp (pronouns: they/them) is an interdependent visual artist and researcher. Risk is also an art educator in the broadest sense of the word. For more than twenty years, their work has revolved around the complex and constantly changing relationship between body and image. Gender has been a central element, not only as a subject, but also as a theoretical framework. For the past ten years, Risk has applied questions formulated within the theme of gender to other socio-political issues. Through a combination of personal activism, decolonial practices and analogue (currently organic) photography, visual intersectional processes are developed to change existing systems. In doing so, Risk takes on the position of a student as often as possible to unlearn photography.

After their studies at the Willem de Kooning Academy in Rotterdam and the Jan van Eyck Academy in Maastricht, Risk worked and lived in Berlin for 11 years. Their work has been shown extensively at international art fairs, such as Art Cologne, Arco Madrid, Art Forum Berlin, Liste Basel and Paris Photo. In 2010, Risk decided to no longer participate in commercial art contexts. Since this decision, long-running often ongoing projects are preferably presented on locations where space, subject and time are interrelated.

Risk has taught at various art academies, including teaching Photography from 2010 to 2014 at the Maastricht Academy of Fine Arts, and from 2015 onwards at St Joost School of Art & Design in the Art & Research department and the minor Arts & Humanity.

Most recently, they graduated ‘magna cum laude’ from the Advanced Master of Research in Art & Design of the Sint Lucas School of Arts in Antwerp and took part in the Decolonial Summer School, a collaboration between the Van Abbemuseum Eindhoven and the University College Roosevelt of Utrecht University.

Unlearning Photography: Listening to Cyanobacteria

Risk Hazekamp, researcher from the Biobased Art and Design group has received funding from Regieorgaan SIA for their PD project – Unlearning Photography: Listening to Cyanobacteria.

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Hazekamp, R., Lykke, N. (oct. 2022) Ancestral Conviviality. How I fell in love with queer crittersarrow, FORUM+, Volume 29, Issue 3, Oct 2022, p. 30 – 36.

Hazekamp, R. (2020) Unlearning Photographyarrow, Mister Motley, Motley College.

Research Group: Biobased Art and Design

The research group Biobased Art and Design capitalises on the role of artistic practice in unlocking the unique potentials of living organisms for everyday materials and communicating these to a broader public. In doing so, the group aims to instigate and accelerate our widespread understanding, further development and usage of such materials. The group’s research approach encourages tangible interactions with the living organisms, such as algae, fungi, plants and bacteria, to explore and understand their unique qualities and constraints through diverse technical and creative methods taking artists, designers and scientists as equal and active partners in the material creation.

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‘The dynamic relationship between humans and living artefacts will continue to evolve reciprocally with mutual care.’

Elvin Karana arrow

‘Humans are atmospheric beings, particles, dust, in intimate cycles of exchange, actors with an incredible force.’

Annemarie Piscaer arrow

‘Exploring and integrating novel perspectives to our everyday through the eyes of fungi.’

Wasabii Ng arrow

‘Bacteria, Fungi, Humans, all part of the same experiment.’

Ward Groutars arrow

‘I believe a collaborative and efficient lab can address both educational and research demands.’

Serena Buscone arrow

‘I am eager to explore how unique qualities of ‘living materials’ can transform the way we think, feel and act.’

Hazal Ertürkan arrow

‘Nature is a perfect example of an iterative design process. It is inspiring and full of exciting solutions.’

Clarice Risseeuw arrow

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