Caradt

Filter

  • Cultural and Creative Industries
  • Situated Art and Design
  • Regenerative Art and Design
  • Biobased Art and Design
  • All
Staff Alumni
Research Projects Archive

Search

Highlight: Art in Permacrisis Episode #10 – Justin O’Connor on Culture Is Not an Industry

Recently, the tenth episode of the podcast series Art in Permacrisis was published. In this episode, Sepp Eckenhaussen talks to Professor Justin O’Connor, author of ‘Culture Is Not an Industry’, about how the idea of the “creative industry” has distorted cultural policy and what it means to reclaim art and culture for the common good.

Episode #10 – Justin O’Connor and “Culture Is Not an Industry”

Justin O’Connor is a global policy expert, author, and a Professor of Cultural Economy at the University of South Australia. In this episode, Sepp and Justin talk about Justin’s book Culture Is Not an Industry: Reclaiming Art and Culture for the Common Good. Justin explains how theoretically poor the concept of the ‘creative industry’ actually is, and how it has messed up cultural policy in many countries. Sepp and Justing then talk about an alternative policy vision: art and culture for the common good, anchored in the foundational economy.

Art in Permacrisis

About the podcast series ‘Art in Permacrisis’

Art in Permacrisis is a podcast on the organization of art workers in the face of the ever-growing stack of crises. How can artists make a living without selling their souls? Can we imagine and practice a sustainable art economy beyond precarity? How should we transform the circulation of artworks, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions? We invite speakers with combined backgrounds in art, theory, and organizing to share their insights.

Art in Permacrisis is a collaboration between the Institute of Network Culturesarrow and CARADT. It is part of the research program Creative Resetarrow. The podcast is hosted by Sepp Eckenhaussen; Candela Cubria is a former co-host.

Previous episodes:

  • Episode #1: Kuba Szreder and the Projectariat
  • Episode #2: Emanuele Braga and Universal Basic Income
  • Episode #3: Katja Praznik and Art Work
  • Episode #4: Yazan Khalili and the Crisis Economy
  • Episode #5: The Budapest Conference Special (w/ Constant Dullaart)
  • Episode #6: Inte Gloerich and Decentralised Autonomous Organisations
  • Episode #7: Kate Rich and Radical Administration
  • Episode #8: Vermeir & Heiremans Between Speculative Fiction and Operational Realism
  • Episode #9: Gizem Üstüner’s Low-Budget Projects

Access the full series:

You can access all episodes of Art in Permacrisis here: https://networkcultures.org/ourcreativereset/art-in-permacrisis-podcast/arrow

Our Creative Reset

Our Creative Reset is a research program of the Institute of Network Culturesarrow and CARADT about economic sustainability in the arts in permacrisis. It explicitly confronts a set of uncomfortable but unavoidable questions. How can artists make a living without selling their souls? What is the role of art in a world wrought by innumerable crises? Can we work towards a just and sustainable art economy? How would this change the circulation of art, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions?

Read more arrow
‘‘How will our graduates make a living without selling their soul?’’

Sepp Eckenhaussen, arts researcher and organizer, explores sustainable economic models for the arts at CARADT. He addresses the art sector’s precarity through activism, policy, and digital culture

Sepp Eckenhaussen arrow

Research Group: Cultural and Creative Industries

The research group Cultural and Creative Industries investigates the role of artists and designers as creative innovators and drivers of social and economic change. Affiliated researchers analyse the cultural and creative industries from a critical point of view and examine the conditions under which timely forms of aesthetic expression and social connectedness can actually take place within the precarious reality of this field. What economic models are required by artists and designers to create a meaningful practice within the aesthetic, social, and economic intentions of the cultural and creative industries? What skills sets are required for those artists and designers who don’t just want to follow movements, but actually shape novel social and economic models of the future?

Read more arrow

Thank you for your subscription! Please check your email inbox to confirm.

Okay