Exhibiting for Multiple Senses: Art and Curating for Sensory Diverse Bodies
How do disability art activism and crip theory inform contemporary art curating, and the other way around?

As part of the programme, Eva Fotiadi was joined by the artist/curator duo and authors in the book, Hettie James and Stephanie Farmer, and by the artist Dr. Aaron McPeake for the public launch of Fotiadi’s newly published book Exhibiting for Multiple Senses. Art and Curating for Sensory Diverse Bodies (Valiz, 2025).
The book launch included the live creation of an audio description of an artwork that was not visible to the audience, a talk by Eva Fotiadi, and a panel discussion. The conversation focused on themes from the newly published book.
Together, the speakers reflected on artistic and curatorial approaches that engage with sensory diversity and disability. Among the topics discussed were the use of audio description not only as a tool for accessibility, but also as an art form in its own right.
The book includes written and visual contributions by David Bobier, Luca M. Damiani, Stephanie Farmer & Hettie James, Eva Fotiadi, David Gissen & Georgina Kleege, Adi Hollander, Lilian Korner, Elke Krasny, Renata Pekowska, Lotte Lara Schröder and Caro Verbeek.
The book launch took place at the ICA and was part of Valiz’s contribution to the GLUE programme. The publication Exhibiting for Multiple Senses was available during the event and throughout the book fair.
More information about the programme is available via:
How do disability art activism and crip theory inform contemporary art curating, and the other way around?
‘Could experimental sensory translation of art works improve their accessibility for sensory diverse exhibition audiences?’
Eva Fotiadi is a researcher within the Situated Art, Design and Technology research group and a theory tutor at the St Joost School of Art and Design, where she is also a member of the Diversity Dialogues platform
Living in cities developed around data and acting within the inscrutable structure of our techno-society demands art and design that can help understand how we relate to these rapidly changing surroundings and to reflect on that relationship. The research group Situated Art, Design and Technology responds to this exigency by fostering a situated turn in art and design through a diverse portfolio of interdisciplinary research projects in partnership with academic and cultural partners, as well as with government and industry.
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