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Tara Karpinski

Research Group: Situated Art and Design

‘Almost everything I design is based on giving form to the invisible.’

Tara Karpinski is a researcher within the Situated Art and Design research group, and a tutor at the Communication & Multimedia Design programme at Avans University of Applied Sciences in Den Bosch. 

Tara Karpinski studied photography and art history at Savannah College of Art & Design, in the United States. She continued her studies at the Sandberg Instituut, Amsterdam, obtaining an MA in Design & New Media, in 2003. 

Tara is a designer and one of the founders of the design collective de Ponies – pioneers in ‘research through making’. The collective works at the intersection of research, design and society. Their projects are realised in the Netherlands and abroad, at locations where there is friction between citizens and government. Through installations in public space, their work offers new perspectives on complex social issues. 

De Ponies have exhibited internationally, and their projects have been published by leading institutions, including Museum Boijmans van Beuningen, in Rotterdam. In addition, the collective collaborates with various organisations such as Paradiso, the Dutch Ministry of Foreign Affairs, and Amnesty International. For their project Supernatural, the collective was awarded the sustainability prize from the Dutch political party GroenLinks. 

In addition to her work for de Ponies, Tara lecturers at universities and art academies, both at home and abroad. She has worked as an embedded researcher-designer for various institutions, including the University of Amsterdam, Leuphana University of Lüneburg, and the Amsterdam University of Applied Sciences. 

Design Thinking for the Circular Economy

This research project explores the question of whether situated design methods can contribute to value transparency in the design of local platforms for the circular economy. 

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Karpinski, T. (accepted) Ener-geyser, Artistic works ISEA2022 ‘Possibilities’ (to be shown in the screenings section at the CCCB and CERC auditoriums.)

Gloerich, I., de Waal, M., Ferri, G. Cila, N., Karpinski, T. (2020) The City as a Licence. Implications of Blockchain and Distributed Ledgers for Urban Governance (Frontiers2020).

Nazli, C., Gloerich, I., Ferri, G., de Waal, M. and Karpinski, T. (forthcoming) The 721 Blockchain and the Commons: Dilemmas in the Design of Local Platforms. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems – CHI ’20

Karpinski, T., Cila, N., Gloerich, I., Meys, W., de Waal, M. (2019) “Peak Shaving Time”, We Make The City festival, Amsterdam, the Netherlands.

Research Group: Situated Art and Design

Living in cities developed around data and acting within the inscrutable structure of our techno-society demands art and design that can help understand how we relate to these rapidly changing surroundings and to reflect on that relationship. The research group Situated Art and Design responds to this exigency by fostering a situated turn in art and design through a diverse portfolio of interdisciplinary research projects in partnership with academic and cultural partners, as well as with government and industry.

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‘People are the product of their relationships with their environment. It’s important to understand how technological developments influence these relationships.’

Michel van Dartel arrow

‘Imagination is the key to a strong inclusive society. Artistic work and situated design can contribute to a better understanding of the other.’

Jenny van den Broeke arrow

‘‘Understanding how creativity and imagination emerge from interactions with our environment will lead to improved innovation processes, tools and technologies.’’

Alwin de Rooij arrow

‘Through an interplay of design and research, the apt questions and necessary tools can be discovered and applied to each research project.’

Antal Ruhl arrow

‘The essence of the situated, cinematic experience of dance lies in the mental interaction where the public becomes co-author.’

Noud Heerkens arrow

‘Could experimental sensory translation of art works improve their accessibility for sensory diverse exhibition audiences?’

Eva Fotiadi arrow

‘I’m interested in how we can implement situated learning within design education.’

Sarah Lugthart arrow

‘How can the notion of the ‘script’ be used in a situated design practice? ’

Ollie Palmer arrow

‘The ultimate goal is to enable people to improve their lives, making them more enjoyable and comfortable.’

Simone van den Broek arrow

‘Attention during interaction is personal, not a given fact.’

Misha Croes arrow

‘Investigating the potential of sensory augmentation to bridge the sensory gap between deaf and hearing.’

Michel Witter arrow

‘Getting comfortable with ambiguity enables designers to absorb feedback and use it to make better design choices.’

Gabri Heinrichs arrow

‘I look at the ways in which citizens can play an active role in shaping their cities, and how new media and technology can contribute to this.’

Barbara Asselbergs arrow

‘For me, the iterative design-research process is an exciting journey towards designs that can transform human consciousness.’

Danielle Roberts arrow

All people arrow

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