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Eke Rebergen

Research Group: Cultural and Creative Industries

‘Disrupting our contemporary society can be a serious design goal.’

Eke Rebergen is a researcher within the Cultural and Creative Industries research group and a tutor at the Communication & Multimedia Design programme at Avans University of Applied Sciences in Den Bosch.

Eke Rebergen graduated as a product designer from the master Design for Interaction at Delft University of Technology. He also obtained his teaching qualification as a physics teacher. In addition to his role as a tutor in Den Bosch, Eke is also involved in educational developments, and course and graduation coordination.

Critically deploy or resist algorithmic technologies

This promotion research focuses on various contemporary ecological, social, and ethical issues that are involved when using algorithmic technologies. Designers should take these issues into account while working on future developments. This research enables designers to critically deploy algorithmic technologies in various domains the upcoming years.

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Rebergen, E.; Eikelboom, W. & Olma, S. (2021) ‘Looking for Trouble: Raising and Tackling Problems Through Design Research’, P. Joore, G. Stompff, J. van den Eijnde (eds.) Images of Design Research, Rotterdam: NADR, 100–110. Nederlands: Looking for Trouble. Problemen oprakelen en aankaarten door ontwerponderzoek. In P. Joure, G. Stompff, J. van den Eijnde (Reds.), Beelden van Applied Design Research. Nederland: Network Applied Design Research.

Rebergen, E. (2018) “Provocative community-based humanitarian designarrow”, BunB Programme & proceedings.

Rebergen, E. (2017), Geen voorgeprogrammeerde disruptie maar furieus onderwijs voor creatievelingen, (Blog lectoraat Netwerkcultuur HvA), 3 Juli.

Research Group: Cultural and Creative Industries

The research group Cultural and Creative Industries investigates the role of artists and designers as creative innovators and drivers of social and economic change. Affiliated researchers analyse the cultural and creative industries from a critical point of view and examine the conditions under which timely forms of aesthetic expression and social connectedness can actually take place within the precarious reality of this field. What economic models are required by artists and designers to create a meaningful practice within the aesthetic, social, and economic intentions of the cultural and creative industries? What skills sets are required for those artists and designers who don’t just want to follow movements, but actually shape novel social and economic models of the future?

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‘Our research group investigates the role artists, designers and cultural producers in general can play in developing the aesthetics and poetics of a desirable future.’

Sebastian Olma arrow

‘As a result of my current research, I ask the students the questions “what is your work” and “what works for you.’

Rob Leijdekkers arrow

‘Performance is about engaging with versions of the self, stretching the gaze to see what others see when they look at you.’

Philippine Hoegen arrow

‘Consumers are creatures of habit. If we want them to break routine and live sustainably, we have to do more than just offer sustainable alternatives. ’

Estelle Nieuwenkamp arrow

‘How can we disrupt the notion of being human while staying true to being humane?’

Wander Eikelboom arrow

‘To be able to research something thoroughly, you have to deeply engage, not just look at it from the outside.’

Bart Stuart arrow

‘How do we live together, how do we work together? How do we give shape and form to ‘being together’ in the broadest sense?’

Bas van den Hurk arrow

‘Interested in human behaviour as the basics underlying the way we design and innovate our society and economy.’

Marianne van Bommel arrow

‘Doing research connects my practice with teaching; it strengthens and brings them closer together.’

Martine Stig arrow

‘Nowadays a brand is no longer an instrument of marketing, but it is a symbol for inspiring, meaningfull organisations.’

Susan Klijsen – van Elteren arrow

All people arrow

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