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Performance by Philippine Hoegen @ DIS_SEMINAR 13 September, Amsterdam

Philippine Hoegen of Caradt’s autonomy research group shows her solo performance Ventriloquists III and, together with Professor Sebastian Olma, presents her research at DIS_Seminar on 13 September in the Tolhuistuin in Amsterdam. DIS_Seminar is an exhibition organized by the platform Art ≈ Researcharrow about and with alternative forms of dissemination of artistic research.

Ventriloquists III

Ventriloquists III is a ±25-minute performance from Philippine Hoegen that is at once a research method, a product and a presentation of her research project entitled The Self as a Relational Infrastructure in Process. As such, it is based on a practice-based enquiry into the production of different versions of the self, including the technologies and processes used to produce these versions. How are we to understand the self in the context of the existence of (its) multiple versions?

DIS_Seminar

The exhibition will be a day full of dynamic presentations, work sessions and dialogue in the field of research in the arts with a specific theme of dissemination. Keynote speaker is Danny Butt from the University of Melbourne. He is author of the book Artistic Research in the Future Academy.

Check the complete programme of DIS_Seminar on the websitearrow of the platform Art ≈ Research. The location has limited capacity, and this event is fully booked. If you are interested you can put your name on the waiting listarrow.

The Self as a Relational Infrastructure in Process

This research project is a practice-based enquiry into personhood and autonomy. 

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‘Performance is about engaging with versions of the self, stretching the gaze to see what others see when they look at you.’

Philippine Hoegen was a researcher within the Cultural and Creative Industries research group from 2016 until 2020. She is also a tutor at St. Joost School of Art & Design and the Master Institute of Visual Cultures. 

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Research Group: Cultural and Creative Industries

The research group Cultural and Creative Industries investigates the role of artists and designers as creative innovators and drivers of social and economic change. Affiliated researchers analyse the cultural and creative industries from a critical point of view and examine the conditions under which timely forms of aesthetic expression and social connectedness can actually take place within the precarious reality of this field. What economic models are required by artists and designers to create a meaningful practice within the aesthetic, social, and economic intentions of the cultural and creative industries? What skills sets are required for those artists and designers who don’t just want to follow movements, but actually shape novel social and economic models of the future?

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